This is a wonderful collection of Polychromatic Ornament prints by Albert Racinet.
They are from his 1877 book “Polychromatic ornament. One hundred plates in gold, silver, and colors, comprising upwards of two thousand specimens of the various styles of ancient, oriental, and medieval art, and including the renaissance and the seventeenth and eighteenth centuries“
According to Wikipedia, Polychrome is the “practice of decorating architectural elements, sculpture, etc., in a variety of colors.” The term is used to refer to certain styles of architecture, pottery, or sculpture in multiple colors.
Just like Jones’s Grammer of Ornament, Albert Racinet’s book is a collection of colorful plates. They are drawings of ornamental design from several cultural and artistic periods. The illustrations are drawn from a wide variety of sources of design. These include woodwork, metalwork, architecture, textiles, painting, and pottery.
Rather than trying to theorize about the designs, the purpose of Albert Recinet’s book was to teach by practical examples. In the book, he says, “there is nothing more eloquent than the sight of the masterpieces themselves and no need to provide any analysis“.
Albert Racinet (1825-1893)
Albert Racinet published two major publications in his lifetime. This book the L’Ornement Polychrome. And another beautifully illustrated book on historical costumes, Le costume Historique.
He was born in France in 1825 and was a costume historian, illustrator, painter. He worked for the publisher Firmin Didot et Cie as an engraver and artistic director from 1869 to 1888.
To download the Polychromatic Prints that you want from the book, click the title about the illustration. A higher resolution image should open in a new window in your browser. If you right-click on that image with your mouse, you will have the option to save it to your device.
Primitive polychromatic ornament examples of woven fabrics, sculptures, and paintings. Derived from very different sources which connect with civilizations that are in some respects analogous.
Albert Racinet says of this plate, the signification of principal objects employed in Egyptian ornament is generally to be found in the language of hieroglyphics. For example, the pink sphere with the hawk’s wings represents the rising sun. The water flowers mingled with reeds in the lower part of the plate are types of running water.
The accompanying plate contains numerous specimens of polychromatic decoration, taken from various periods of Greek Art. Commencing from the date of the monuments in the Parthenon, down to that which may be called the Greco-Roman period.
The plate is a painted wall from the Casa delle Suonatrici, taken from the great work of Zahn: Les Plus beaux ornaments et les tableaux les plus remarquables de Pompei, d’Herculansum et de Stabiae, 1828-30. It is considered one of the finest of its kind. The two single figures have been added and weren’t in the original.
The large yellow design is Chinese and the smaller patterns are Japanese. They are all patterns found on silk fabrics.
For more Japanese designs check out the Shin Bijutsukai Art collection.
Albert Racinet wrote, “It is difficult to understand how such powerful effects can be produced by means so simple, and Europeans can hardly do better than make a careful study of that bold use of intense colours which, directed by Asiatic taste, produces such marvellous results.”
Albert Racinet examples of free form Chinese art decorations.
There are many more traditional Chinese patterns designs available on the site.
Cloisonné is an ancient technique for decorating metalwork objects with colored material held in place or separated by metal strips or wire, normally of gold.
Drawings of Indian embroideries, paintings, and Niellos. (Niello is a black mixture used as an inlay on engraved or etched metal, especially silver).
The floral art remind me of some of the Chintz vintage floral patterns.
Racinet’s drawings of Persian printed linen of flowers and animals.
Various examples in this plate give an accurate idea of the system of ornamentation generally made use of in Persian earthenware.
All the specimens of mosaics and enamelled terra-cotta come from the Alhambra of Granada and the Alcazar of Seville.
Middle ages decorations on manuscripts.
These window examples are from the 13th and 14th Centuries. Racinet wrote “Painting on glass attained its highest excellence in the thirteenth century. Simplicity and elevation of style were maintained during the fourteenth century, but in the fifteenth, these special characteristics were lost in excess of ornamentation.“
Celtic examples of polychromatic ornaments from the seventh, eighth, ninth, tenth and eleventh century.
Sixteenth century decorative grotesque paintings in the Vatican.
In art, grotesques are ornamental arrangements of arabesques with interlaced garlands and small and fantastic human and animal figures, usually set out in a symmetrical pattern around some form of architectural framework, though this may be very flimsy.
Engraved ivories come within the scope of polychromatic ornamentation on account of their combination of white and black. Sometimes the black forms the background of the general design, at others it is used as a means of relieving and displaying the design.
The dishes and borders contained in this plate are specimens of the workmanship of Bernard Palissy.
Bernard Palissy (1510 – 1589) was a French Huguenot potter, hydraulics engineer, and craftsman, famous for having struggled for sixteen years to imitate Chinese porcelain.
He is also well known for his contributions to the natural sciences and is famous for discovering principles of geology, hydrology, and fossil formation. Palissy was imprisoned for his belief during the tumultuous French Wars of Religion and sentenced to death. He died of poor treatment in the Bastille in 1589.
A cartouche is an oval or oblong design with a slightly convex surface, typically edged with ornamental scrollwork.
For the book, Albert Racinet drew a number of decorative patterns selected from specimens of French earthenware from the Cluny Museum.
A Louis IV style carpet pattern.
Another collection of cartouches from L’Ornement Polychrome.
Pattern designs for silk wall hangings and furnishings.
For more vintage wallpaper designs, check out the William Morris patterns on Pictureboxblue.